"The art of healing comes from nature, not a physician".-- Paracelsus
Brains are easily fatigued with the busy lives we live. Slow down and spend time with nature, (not your computer or camera), can give the brain a well earned rest, a time to clear away the clutter and let it rest. Just take a walk, listen to the sounds of nature, clear your mind, think of nothing, look at the world around you from the lenses connected to your head, take in the beauty of where you live.
Research has shown that a 15 min walk yields noticeable changes in stress levels, blood pressure, heart rate, and a walk of 40 - 50 minutes can yield even greater mood and attention benefits.
I always take a camera with me on our walks, I don't always use it. I love the outdoors and have since an early age. The smells, the silence, the beauty, the size, the skies, the weather, the animals, the flowers, the chance to let the brain rest, I guess it could be deemed as a kind of meditation.
A walk along a beach can be therapeutic, as the rhythm of the waves crashing on the beach, the rumble of the pebbles as they flow with the water. Let your brain empty of the day to day fertilizer that is rushing around. You might even find an image, that you could capture in camera or just keep it too yourself on your own hard drive, your brain.
Getting to the top of a hill or mountain or a track or the end of the beach can be an awesome feeling. I have often found some of my craziest ideas have developed on one of these walks, or the concept of an idea has developed clearer with better understanding of the finished image. I finished the image below after such an excursion.
Try it what have you to lose, take a walk and clear you head, let the ideas in the subconscious out for a time, allow the creativity that is in us all time to grow and flourish, see what ideas appear for new work.
Another idea is join me on one of my workshops and see what crazy inspiration and education I can offer you.
www.scottfowlerworkshops.com
Saturday, 9 September 2017
Friday, 8 September 2017
Seeing in B&W
Learning to Live and See in a Black-and-White World
I rarely think about colour. Instead, I deconstruct the image in my head and categorize it by its strengths. It takes a lot of practice to learn to see in black and white, but it can be done. I recommend practicing as often as possible, and you’ll see that you’ll get better with time. By practice I mean look at Black and White images that have been taken by the masters, look at the image, deconstruct it, what are its strengths, how has the photographer constructed the image to control the journey of your eye through the scene. The best part of this practice is that it will not only strengthen your black-and-white images, but your colour images as well. Black-and-white photography gives us a chance to take away a very important element — colour — and focus on the other elements that are harder to envision. I have this year more than before came across images that have said at the point of capture, I need to stay colour, simply because the story is enhanced by the tones of colour and removing those tones will lose the essence of the story I am trying to tell. This takes practice and an understanding of your own vision.

A black-and-white portrait can be very powerful, once you remove the distraction of colour, you truly begin to see things for what they are. I like to think of it as redirecting the visual conversation.
Ted Grant said "when you photograph people in colour you photograph their clothes, when you photograph them in Black and White you are photographing their soul. "
Knowing that light tones advance and dark tones recede will further help you visualize what will draw a viewer’s eye in the finished black-and white photograph. Just the same as in a colour image where, warm colours come forward and cool colours recede, this will cause the eye to see the image more dimensional.
The best B&W images have a "timeless" feel to them. Ultimately, it could be argued that the most likely way to find success in black-and-white is to look for the same compositional elements that are important to every photograph, regardless of colour, the basic rules of composition. Things like S-curves, leading lines and the Rule of Thirds are the perfect place to start. Place your isolated subject, with help from the Rule of Thirds, or focus on a pattern that might create strong leading lines, or allow a texture to provide a minimalist composition that’s inherently compelling. They’re all great ways to get down to the fundamentals of what makes a simple and compelling photograph, and that’s especially effective when working in black-and-white.
If you want to learn how to take timeless B&W images, why not join me on one of my Black and White workshops--- https://www.scottfowlerworkshops.com/
I rarely think about colour. Instead, I deconstruct the image in my head and categorize it by its strengths. It takes a lot of practice to learn to see in black and white, but it can be done. I recommend practicing as often as possible, and you’ll see that you’ll get better with time. By practice I mean look at Black and White images that have been taken by the masters, look at the image, deconstruct it, what are its strengths, how has the photographer constructed the image to control the journey of your eye through the scene. The best part of this practice is that it will not only strengthen your black-and-white images, but your colour images as well. Black-and-white photography gives us a chance to take away a very important element — colour — and focus on the other elements that are harder to envision. I have this year more than before came across images that have said at the point of capture, I need to stay colour, simply because the story is enhanced by the tones of colour and removing those tones will lose the essence of the story I am trying to tell. This takes practice and an understanding of your own vision.

A black-and-white portrait can be very powerful, once you remove the distraction of colour, you truly begin to see things for what they are. I like to think of it as redirecting the visual conversation.
Ted Grant said "when you photograph people in colour you photograph their clothes, when you photograph them in Black and White you are photographing their soul. "
Knowing that light tones advance and dark tones recede will further help you visualize what will draw a viewer’s eye in the finished black-and white photograph. Just the same as in a colour image where, warm colours come forward and cool colours recede, this will cause the eye to see the image more dimensional.
The best B&W images have a "timeless" feel to them. Ultimately, it could be argued that the most likely way to find success in black-and-white is to look for the same compositional elements that are important to every photograph, regardless of colour, the basic rules of composition. Things like S-curves, leading lines and the Rule of Thirds are the perfect place to start. Place your isolated subject, with help from the Rule of Thirds, or focus on a pattern that might create strong leading lines, or allow a texture to provide a minimalist composition that’s inherently compelling. They’re all great ways to get down to the fundamentals of what makes a simple and compelling photograph, and that’s especially effective when working in black-and-white.
If you want to learn how to take timeless B&W images, why not join me on one of my Black and White workshops--- https://www.scottfowlerworkshops.com/
Thursday, 7 September 2017
Why B&W?
"To see in colour is a delight for the eye, to see in Black and White is a delight for the soul"- Andi Caldwell.
Black and White photography has become an obsession for me, a demanding mistress who in my mind needs satisfying constantly. Never really happy with the taste of what I am trying to achieve, I know my skill level need's improving. I can live with that, as tomorrow I might take my best ultimate B&W image that fulfills my taste buds. Then again I do not want tomorrow to come, what will I do if I do finally create the image that fulfills my B&W taste. Sell my gear find another hobby/job.
The image below was taken October 2006 at Cape Evans hut, Antarctica.
So why is B&W so compelling for me, it is the freedom I am given by black and white inherent abstraction- its lack or reality or is it the story telling aspect of B&W, I love telling stories, some say I am full of fertilizer, I can live with that, that is your choice to think that.
The image below was shoot near the top of Avalanche Peak in Arthurs pass. 2009
When I look at my images from 2006 to now in 2017, I have gone from shooting Sony Alpha 100 with 10mp to a whole system change to Nikon D810 and 36mp. My creativity has hit a new level and once again I am impressing myself with the images I am creating. Art, and that includes Photography, is not real to begin with. It's a creation of our heart and minds.
The image below is a 2017 creation.
Remember never give up on your dreams, find out what works for you and remember have fun.
Why not join me on one of my Unique super inspiration an deducational workshops;
www.scottfowlerworkshops.com
Black and White photography has become an obsession for me, a demanding mistress who in my mind needs satisfying constantly. Never really happy with the taste of what I am trying to achieve, I know my skill level need's improving. I can live with that, as tomorrow I might take my best ultimate B&W image that fulfills my taste buds. Then again I do not want tomorrow to come, what will I do if I do finally create the image that fulfills my B&W taste. Sell my gear find another hobby/job.
The image below was shoot near the top of Avalanche Peak in Arthurs pass. 2009
When I look at my images from 2006 to now in 2017, I have gone from shooting Sony Alpha 100 with 10mp to a whole system change to Nikon D810 and 36mp. My creativity has hit a new level and once again I am impressing myself with the images I am creating. Art, and that includes Photography, is not real to begin with. It's a creation of our heart and minds.
The image below is a 2017 creation.
Remember never give up on your dreams, find out what works for you and remember have fun.
Why not join me on one of my Unique super inspiration an deducational workshops;
www.scottfowlerworkshops.com
Wednesday, 6 September 2017
Life shrinks or expands in proportion to one's courage
I came across these words that made sense to me and decided to share them with you all.
" Life shrinks or expands in proportion to one's courage"- Anais Nin
" Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get in to it because we have good taste. But there is this gap. For the first couple of years you make stuff, it's just not that good. It's trying to be good, it has potential, but it's not. But your taste, the thing that got you in to the game, is still the killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this.
We know our work doesn't have the special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it's normal, and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
And I took longer to figure out how to do this than anyone I've ever met. It's gonna take awhile. It's normal to take a while. You've gotta fight your way through"- Ira Glass
" Life shrinks or expands in proportion to one's courage"- Anais Nin
" Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get in to it because we have good taste. But there is this gap. For the first couple of years you make stuff, it's just not that good. It's trying to be good, it has potential, but it's not. But your taste, the thing that got you in to the game, is still the killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this.
We know our work doesn't have the special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it's normal, and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
And I took longer to figure out how to do this than anyone I've ever met. It's gonna take awhile. It's normal to take a while. You've gotta fight your way through"- Ira Glass
Tuesday, 5 September 2017
Practice before a performance?
"Grit, the stubborn refusal to quit, is the single best predictor of success. There's on feature that sets highly successful creative people apart from the rest of the pack. Single minded dedication and resolve to push through in spite of all obstacles-aka-"grit"- is what drives great achievement. In other words, how you react to the inevitable failures along the way will be an important indicator of the end game"- Jonah Lehrer, Imagine: how creativity works.
Everyone wants the secret recipe to create successful work it is really simple, we can all achieve successful work, if we create more work, the more images you create and the more analytical you are about them, the better your work will become, do not just shoot for the point of shooting, shoot for a reason, if you are not moved by the thing that you see, how are you going to impress me.
Musicians and dancers practice for hours before a performance or just to learn a new movement or piece of music, why do photographers not practice the same, are we somehow better, I do not think so. Is it because of the instantaneous nature of photography, that we do not think we need to practice. What if we changed our mindset and started to look at a photo-shoot as a performance and practiced accordingly.
Everyone wants the secret recipe to create successful work it is really simple, we can all achieve successful work, if we create more work, the more images you create and the more analytical you are about them, the better your work will become, do not just shoot for the point of shooting, shoot for a reason, if you are not moved by the thing that you see, how are you going to impress me.
Musicians and dancers practice for hours before a performance or just to learn a new movement or piece of music, why do photographers not practice the same, are we somehow better, I do not think so. Is it because of the instantaneous nature of photography, that we do not think we need to practice. What if we changed our mindset and started to look at a photo-shoot as a performance and practiced accordingly.
Monday, 4 September 2017
Creating Art
Creating art is a wonderful fulfilling experience. It empowers you to say more than using traditional words. I have difficulty with the written word, so I use art in the form of Photography to tell my stories. As a want to be artist it amazes me the therapeutic nature of art, the healing properties for the artist in producing work from ideas or dreams.
The process in producing art, is not always easy, as artists we can experience a number of psychological and emotional concerns by producing your work. As artists we are driven by a curious disposition and a desire to communicate ,with this in mind we are also well some of us, sensitive and emotional observers, traits that can raise our vulnerability. These traits that make us thoughtful or innovative as an artist can also make us susceptible to isolation and discontentment.
Regardless of where an artist is in there journey we all have a level of insecurity about our work, the nagging voice in your head , my work is stupid, not good enough, what if no one likes it. I am listening to Billy Connolly as I write this blog and in the words of my hero, Be yourself and F@#K anyone who does not like your work.
If you like what you read and want to have the opportunity to shoot shots similiar to the ones here then join me on one of my unique workshops.
www.scottfowlerworkshops.com
The process in producing art, is not always easy, as artists we can experience a number of psychological and emotional concerns by producing your work. As artists we are driven by a curious disposition and a desire to communicate ,with this in mind we are also well some of us, sensitive and emotional observers, traits that can raise our vulnerability. These traits that make us thoughtful or innovative as an artist can also make us susceptible to isolation and discontentment.
Regardless of where an artist is in there journey we all have a level of insecurity about our work, the nagging voice in your head , my work is stupid, not good enough, what if no one likes it. I am listening to Billy Connolly as I write this blog and in the words of my hero, Be yourself and F@#K anyone who does not like your work.
If you like what you read and want to have the opportunity to shoot shots similiar to the ones here then join me on one of my unique workshops.
www.scottfowlerworkshops.com
Sunday, 3 September 2017
The purpose of art
The purpose of art is in washing the dust off daily life of our souls- Pablo Picasso.

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